Where do I begin?
As always NYFW is a complete shit show, during which everyone and their mom firmly believes they should be a part of it, myself included.
After many presentations, late nights hanging out with handsome male models, and collecting swag, the week has finally ended and now’s the time for the roundups of best, worst… most entertaining and most disappointing.
This portion of my round up will focus on the presentations I attended:
Alice and Olivia: Femininity and decadence all wrapped into a neat little beautiful package. We saw a ton of bead work, white and sage and dusty pinks. Full skirts complemented cropped tops and jackets were boxy with intricate fabrics and trimmings. Loved every bit of this collection.
Oswald Helgason: I missed this show because I had to work, but stalked the shit out of photos afterwards since I knew it would be amazing, and amazing it was. The colors and kitchiness of it all were right on point and nothing short of what we’ve come to expect of the brand.
Raoul: Clean and simple silhouettes paying a homage to the 60’s. The prints had a Mondrian feel to them which I absolutely loved. The graphic nature of these pieces makes them extremely timeless and classy. I was especially fond of the grey two piece with rectangular cut outs.
Rosie Assoulin: I’ve personally met this designer and have nothing but wonderful things to say about her as a person and a talent! The first time I met her was at my cousin’s engagement party. From a distance I spotted a beauty in a cream pant suit. Her bold style and confidence shook me from across the room, so it was no surprise only about a year and a half later, to see that she had begun her own collection. A common theme from last season’s pieces is the sexy yet sophisticated dropped shoulder silhouette for her tops. I can’t get enough of this timeless elegance.
Maki Oh: This Nigerian designer blew my mind with her gorgeous hand dyed textiles and innovative combinations of shapes and textures (peek at those hats). It felt young, fresh, rich and sophisticated with a heavy ethnic influence. What’s not to love? (images courtesy of WWD)